Eddie Peng - The Chinese Cinema

The Chinese Cinema

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Eddie Peng

A collection of 8 posts

2024 Festival Compilation

2024 Festival Compilation

As I've done for the last couple of years, here is a collection of the reviews I wrote this year for InReview Online's coverage of various film festivals from around the world (Rotterdam, Cannes, the New York Asian Film Festival, Venice, Toronto, and the New York

I Did It My Way (Jason Kwan, 2023)

I Did It My Way (Jason Kwan, 2023)

I didn’t see the Andy Lau crime movie with a title borrowed from a hit 1960s American pop song that came out a couple of weeks ago, but I did see the one that comes out this week. I skipped The Goldfinger, despite the promise of an Andy Lau-Tony

The Shaolin Cinematic Universe

The Odd One Dies

The Shaolin Cinematic Universe

This was originally commissioned by the Vulgar Cinema website in July 2014, and was published in December 2015. Then, after that site disappeared, it was revised and republished at Frame.land in May 2019. Now that site too appears to be defunct, so I'm posting it once again

The Rescue (Dante Lam, 2020)

The Rescue (Dante Lam, 2020)

Dante Lam’s latest propaganda piece for the Chinese military, following 2016’s Operation Mekong and 2018’s Operation Red Sea (one wonders if he wanted to call it Operation Rescue, but someone explained to him that that name was already taken), was supposed to anchor the 2020 Chinese New

Our Time Will Come (Ann Hui, 2017)

Our Time Will Come (Ann Hui, 2017)

The most anticipated, and almost assuredly the best, World War II film of the summer, by one of the greatest filmmakers of the past forty years, opens here tomorrow exclusively at the Pacific Place: director Ann Hui’s Our Time Will Come . Based on true events in the resistance against

Operation Mekong (Dante Lam, 2016)

Operation Mekong (Dante Lam, 2016)

Opening this week is the latest action film from director Dante Lam, whose Beast Cops and Jianghu: The Triad Zone were two of the better Hong Kong films to come out during the industry trough that followed the colony’s handover to China in the late 1990s. More recently, his

Cold War (Longman Leung & Sunny Luk, 2012)

Longman Leung and Sunny Luk

Cold War (Longman Leung & Sunny Luk, 2012)

In a slick chrome and black Hong Kong, two halves of the police force war with each other over methods and tactics. One one side: the operations department – active, aggressive, channeling the “we break the law to enforce the law” ethos celebrated in HK films since at least the mid

Rise of the Legend (Roy Chow, 2014)

Rise of the Legend (Roy Chow, 2014)

Every generation gets the Wong Fei-hung they deserve. A fin-de-siècle doctor and martial arts instructor, the real life Wong has been inspiring cinematic incarnations for most of the history of Hong Kong’s film industry. The first was in a series of productions running form the late 1940s to the